Why was an Egyptian pyramid built in the middle of Ancient Rome?

Pyramid of Cestius
© History Skills

In the heart of Rome, a city renowned for its rich history and culture, stands a monument that seems to defy the traditional Roman architectural narrative - an Egyptian-style pyramid.

 

This ancient edifice, an unexpected sight amidst Rome's classical ruins, is a testament to the city's diverse cultural influences and its enduring fascination with the ancient world.

 

Known as the 'Pyramid of Cestius', this is an imposing structure of white marble standing approximately 36 meters high. 

 

Its construction reflects a period in Roman history when Egyptomania, a fascination with ancient Egyptian culture, was at its peak following Rome's conquest of Egypt.

Why was the pyramid built?

The Pyramid of Cestius was built during a transformative period in Roman history, specifically between 18 and 12 BC, during the reign of Augustus, the first Roman Emperor.

 

This era, known as the Pax Romana or Roman Peace, was a time of relative stability and prosperity throughout the Roman Empire.

 

It was marked by significant advancements in architecture, literature, and the arts, as well as the expansion of Roman influence across the Mediterranean.

The construction of the Pyramid of Cestius coincided with a period of intense fascination with Egyptian culture, a phenomenon often referred to as 'Egyptomania.'

 

This interest was largely sparked by Rome's conquest of Egypt in 30 BC, which brought the ancient civilization under Roman control.

 

The allure of Egypt's ancient culture, its mysterious religious practices, and its distinctive architectural style captivated the Roman imagination.

 

This fascination is evident in various aspects of Roman culture, from the incorporation of Egyptian deities into the Roman pantheon to the adoption of Egyptian motifs in Roman art and architecture.

The Pyramid of Cestius is perhaps one of the most striking examples of this cultural fusion.

 

Its design, distinctly Egyptian, was a departure from traditional Roman funerary architecture, reflecting the influence of Egypt on Roman society.

 

However, it was not merely an imitation of Egyptian style but a reinterpretation, blending Egyptian and Roman elements to create a monument that was uniquely Roman.

 

This fusion of styles is a testament to the cultural diversity of the Roman Empire and its ability to absorb and adapt elements from the various cultures under its control.


Who was Cestius?

Gaius Cestius Epulo, the man for whom the Pyramid of Cestius was built, was a figure of considerable status in Roman society.

 

He served as a praetor, a high-ranking official in the Roman Republic, and a tribune of the people, a position that gave him significant influence over legislation.

 

He was also a member of the Septemviri Epulonum, one of the four great religious corporations in Rome, responsible for organizing public feasts and games.

Despite his prominent roles, relatively little is known about the personal life of Cestius.

 

He appears to have been a wealthy and influential individual, as indicated by the grandeur of his tomb.

 

The construction of such a monument would have required considerable resources and the approval of the Roman authorities, suggesting that Cestius was a man of high standing.

The decision to construct a pyramid as a tomb was a departure from traditional Roman funerary practices and reflects the cultural influences of the time.

 

By choosing this form for his tomb, Cestius demonstrated his affinity for Egyptian culture and his desire to associate himself with its perceived wisdom and antiquity.

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An incredible architectural feat

The Pyramid of Cestius is a unique architectural marvel that stands out amidst Rome's predominantly classical structures.

 

Its design is a fascinating blend of Egyptian and Roman architectural styles, reflecting the cultural influences of the time.

 

The pyramid stands approximately 36 meters high and measures about 30 meters along each side of its square base.

 

Its shape is more pointed and steep than most Egyptian pyramids, which tend to have a more gentle slope.

 

This difference in shape is a clear indication of the Roman reinterpretation of the Egyptian style, adapting it to their own aesthetic preferences and construction techniques.

The pyramid is constructed from concrete, a material that was widely used in Roman architecture due to its strength and versatility.

 

The exterior of the pyramid is covered with slabs of white Carrara marble, a high-quality stone that was often used in Roman monuments for its beauty and durability.

 

The use of marble not only enhanced the pyramid's visual appeal but also helped to protect the concrete core from weathering.

 

The pyramid's only entrance is a small door located on the north side, leading to a narrow passage that opens into the burial chamber.

 

The chamber itself is quite small, measuring approximately 5.95 meters by 4.10 meters, and was likely decorated with frescoes and filled with grave goods, as was common in Roman tombs.

Entrance to the Pyramid of Cestius
© History Skills

What the mysterious inscriptions tell us

One of the most intriguing aspects of the Pyramid of Cestius is the inscriptions that adorn its eastern and western faces.

 

These inscriptions, etched into the white Carrara marble, provide invaluable information about the pyramid's origin, its patron, and the timeline of its construction.

 

The inscriptions are written in classical Latin and read as follows: "C. Cestius L.F. Pob. Epulo pr. tr.pl. VII vir epulonum", which translates to "Gaius Cestius Epulo, son of Lucius, of the Poblilian district, praetor, tribune of the people, official in charge of public banquets".

 

This tells us that the pyramid was built as a tomb for Gaius Cestius, a man of considerable status in Roman society.

Another part of the inscription reveals that the pyramid was built in an impressively short span of 330 days, under the supervision of his heirs, Pontus Mela (son of Publius, from the Claudian district) and a man named Pothus.

 

This rapid construction timeline speaks to the efficiency of Roman engineering and the resources available to men of Cestius' status.

As for artwork, the interior of the pyramid was likely decorated with frescoes, as was common in Roman tombs of the period.

 

Unfortunately, by the time the pyramid was rediscovered in the 17th century, it had been looted and any original interior decorations had faded or disappeared.

 

However, historical records suggest that the burial chamber was adorned with a fresco depicting a celestial scene, possibly a nod to the Egyptian belief in an afterlife associated with the stars.


The pyramids dramatic history and survival

The Pyramid of Cestius has stood the test of time, enduring for over two millennia amidst the changing landscape of Rome. 

 

Despite the passage of over two millennia, the pyramid remains remarkably well-preserved, a testament to the durability of Roman construction and the success of preservation efforts.

The Pyramid of Cestius is incorporated into the Aurelian Walls, a defensive wall that was built around Rome in the late 3rd century AD, several centuries after the pyramid was constructed.

 

The reason for this is largely practical. When the walls were being built, the pyramid was already a well-established and sturdy structure.

 

Rather than demolishing or building around it, the Roman engineers decided to incorporate it into the wall.

 

This decision likely contributed to the pyramid's preservation, as many other ancient structures were dismantled for their materials during the Middle Ages.

The pyramid's first recorded restoration took place in the 1600s. In the 19th century, the pyramid underwent another significant restoration.

 

At this time, it was largely buried under accumulated debris and soil. Excavations led by archaeologist Giovanni Battista Caviglia revealed the full height of the monument and the inscriptions on its sides.

 

This restoration brought the pyramid back into public view and sparked renewed interest in its history and preservation.